Blockbuster, the Musical- New Alexandra Theatre, Birmingham

Nicholas and shaw

It’s Neat- We Really Love Your Tiger feet

The component parts of this brand new jukebox musical are impressive. No-one listening to the radio in the 1970’s could have escaped the song writing of Chinn and Chap, Nicky Chinn and Mike Chapman. They churned out hits for the likes of Mud, Sweet, Suzi Quatro and Smokie. Nothing profound, just catchy melodies and lyrics which had the record buying public flooding to buy them. Most of their greatest hits are to be found here.

However music alone does not make a musical, the narrative is supplied by David Soames who co-wrote the musical “Time” for Cliff Richard. Star quality is provided by Paul Nicholas, who also produces, a seventies pop star in his own right and veteran of numerous lead West End roles, and more recent pop star, Suzanne Shaw of Hear’say, who herself has found considerable success in musical theatre.

Linking the songs, is a plot about a Soho busker who time travels back to the 1970’s,”Back to the Future” meets “Grease”, which begins in 2014, introducing Mickey Block (Aaron Sidwell), singing in London’s Soho. Mickey has borrowed money to buy a car. Unfortunately he crashes it without insuring it and is pursued by Charlie Daz, a loan shark to whom he owes money. Taking refuge in Crazy Max’s Retro Record shop, Mickey meets Max (Paul Nicholas), a mystical figure, who discovers Mickey has problems and tells him he can turn his life around if he performs two selfless deeds within seven days. With Charlie Daz in hot pursuit, Mickey has nothing to lose and agrees. Max tells Mickey to hide in the store’s record booth and as Charlie Daz enters the shop, Max starts the booth spinning and transports Mickey back in time to London where he meets Carol (Suzanne Shaw) and the fun begins.

The cues for the songs are contrived, and part of the fun, hits which vary in their success. “Tiger Feet”, arguably the strongest of all, is used as an opener after an overture, “The Cat Crept in” seems a pale imitation afterwards. “I’ll Meet You at Midnight” is surprisingly strong, closing the first half. Thereafter Micha Richardson does a tremendous job with “Better Be Good to Me” and the show closes with a medley of the greatest hits of the greatest hits. Why “Little Willy” a crass novelty tune, is included is a mystery. It appealed upon release to ten year old boys only, time has not broadened its appeal.

Sidwell, best known as Steven Beale in EastEnders, is the star, oozing charisma and with a fine singing voice,. Shaw, holds a tune well too, and is a delight in tight black leather trousers. However Sidwell’s duet with rival love interest Aimee Atkinson “If You think You Know How to Love Me” is the best pairing of the night. Although some will argue about song choice, there can be no argument over the choreography by Rebecca Howell, which is consistently excellent, and energetically performed by an enthusiastic cast

Following a “soft” world premiere in Dartford, this was only the second venue the show had appeared in, its first proper test in front of a big city audience. Warmly received,it runs until Saturday 27th September.

Gary Longden

This entry was posted in Behind the Arras Reviews and tagged , , , , , , , , . Bookmark the permalink.

1 Response to Blockbuster, the Musical- New Alexandra Theatre, Birmingham

  1. jane osborne says:

    great performance

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out /  Change )

Google photo

You are commenting using your Google account. Log Out /  Change )

Twitter picture

You are commenting using your Twitter account. Log Out /  Change )

Facebook photo

You are commenting using your Facebook account. Log Out /  Change )

Connecting to %s